Tibetan Buddhist art started in the subcontinent of India with the intent of using art to document the life of Gautama Buddha in the 6th and 5th centuries BCE. As the Buddhist religion spread throughout the Asia and the rest of the world, the prominence of Tibetan Buddhist art spread along with it. The earliest Buddhist art generally followed the practice of aniconic Indian traditions. This is the use of Buddhist symbols and iconography without any actual representation of the human figure involved. However, it was about the first century CE when an iconic art period came about and represented the Buddha in human appearance; a practice that continues to this day. As Buddhism spread and evolved in each new country or region, Buddhist art followed those adherents to the faith and developed throughout Asia if different ways.

Tibetan Buddhist art is considered sacred and religious in nature, or was always thought of as religious in Asiatic cultures throughout the continent and in ancient Himalayan kingdoms such as Ladakh, Bhutan, and Nepal.

The Tibetan Buddhist art that was created before the mid twentieth century were dedicated to the depiction of sacred subjects and permeated with traditional technique. These works of Tibetan art not only detail the key concepts of philosophy and spirituality but also the energy of Tibetan art aesthetics in terms of the development of various schools of the Tibetan religion in different regions and countries. The Buddhist symbols used in the development of Buddhist art can be studied as variations of the influences that have contributed to Tibetan art over the past centuries.

Mahayana Buddhist influence came into being around the fourth century and emphasized its influence over those who wished to help others and forsake their own Nirvana. In the Tibetan art of the Mahayana influence, Chenrezig is the deity that is depicted most commonly as having a thousand arms and an eyeball in each hand.

Another great influence in Tibetan Buddhist art is the Tantric influence, its main symbol being the diamond thunderbolt. Tantric influence art is most often depicted as having many gods with angry faces that actually represent guardians of those who are dedicated to the practice and teaching of Tantric Buddhism and the purging of negative thoughts.

In the Himalayas, a shamanistic tradition known as Bon is considered another great influence of Buddhism and Buddhist art. In this shamanistic practice, many local deities are depicted in Buddhist temples as being with the Buddha as their conqueror and are considered to serve him by keeping mischief and evil away from the people.

Buddhist meditation covers a wide variety of techniques in meditation that promote mindfulness and concentration among other things. The core techniques have been preserved in ancient texts that have been reproduced throughout the centuries between teachers and students.

Tibetan Buddhist art also greatly influenced Hindu art, but in the tenth century, Buddhism was all but gone from the Indian subcontinent by the rise of popularity in Islam along with Hinduism.

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